Dirge-Elegy
for piano solo. Written for Lois Shapiro and dedicated to the memory of Arlene Zallman.
Implicit Memory
for six players. Commissioned by the Barlow Foundation for the New York New Music Ensemble.
Tathata
for string trio. Written for the Athabasca String Trio.
Thin Ice
Chamber concerto for cello and fourteen players. Commissioned by
Sequitur for cellist, Greg Hesselink.
The Near Beyond
for clarinet, violin, viola, cello. Commissioned by Empyrean Ensemble
for Peter Josheff and dedicated to the memory of Lois Jones.
Piano Quartet
for violin, viola, cello and piano. Commissioned by the State
University of New York at Stony Brook for the Stony Brook Contemporary
Chamber Players
Mango
for solo piano. Commissioned by Amy Dissanayake for her
Tango Project.
Dusk
for large orchestra. Movement II of a larger work commissioned by the
California Youth Symphony, Leo Eylar, Music Director.
Flying Time
for two marimbas
Commissioned by Stephen Paysen and Dominic Donato.
| Fast and Loose chamber concerto for flute (alto flute, piccolo) and eight players commissioned by the Fromm Foundation for the San Francisco Contemporary Music Players |
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| This, That, and the Other for soprano saxophone solo, eight winds and percussion commissioned by the National Association of College Wind and Percussion Instructors |
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| This, That, and the Other arrangement for soprano saxophone solo, piano, bass, and percussion |
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| Diverto for string orchestra written for the Crowden School Upper Orchestra, Ben Simon, Director |
| String Quartet No. 3 commissioned by the Lively Arts at Stanford for the Alexander Quartet |
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| Little Trio for flute, clarinet, and bassoon |
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| Tribute for cello and piano (written for Fred Sherry and Gilbert Kalish) |
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| Nimbus for solo flute written at the request of Perspectives of New Music in honor of Martin Boykan's 70th birthday |
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| Quiescence for clarinet and harp written for Diane Maltester and Wendy Tamis |
| Etudes for solo violin |
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| Pulse for clarinet, viola, and piano. Commissioned by the Left Coast Chamber Ensemble. |
| Motion | |
| for piano trio. Commissioned by the Triple Helix Trio. | |
| Highly Rubbery | |
| for solo bass clarinet. Written for Peter Josheff. |
| Icons | |
| for solo bassoon and orchestra. Commissioned by the Berkeley Symphony, Kent Nagano, Music Director. |
| Eskimo Songs | |
| for mezzo-soprano, flute, cello and piano. | |
| Romanza | |
| for solo violin and orchestra. Commisioned by the Santa Cruz County Symphony for Terrie Baune. |
| Stone Soup | |
| for five players. Commissioned by the New York New Music Ensemble. | |
| Ritual Fragments (Native American texts) | |
| for soprano and six players. Commissioned by the Fromm Foundation for Susan Narucki and the San Francsico Contemporary Music Players. |
| Octet | |
| for Clarinet, Bassoon, Horn, String Quartet, and Bass. |
| Halcyon Birds | |
| for Chamber Orchestra. Commissioned by the Koussevitzky Foundation and the Rohnert Park Symphony. |
| Birthday Bagatelles | |
| for piano. |
| Aplomb | |
| for violin and piano. Commissioned by the Kobialka Duo. |
| Tributaries | |
| for cello, percusion and piano. Commissioned by the Aequalis Ensemble. |
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| Eskimo Song | |
| for mezzo-soprano, flute, cello and piano. Commissioned by Voices of the Forest. |
| Oda al Olor de la Lena | |
| for baritone voice, alto flute, cello, and percussion (text by Pablo Neruda). Commissioned by Paul Hillier for the first Theatre of Voices Festival, U.C. Davis. |
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| Anaphora | |
| for solo flute, violin, viola, cello and piano. Commissioned by the Earplay Ensemble. |
| Piano Concerto | |
| Commissioned by Wellesley College for Lois Shapiro. Composed under a grant from the John Simon Guggenheim Memorial Foundation. |
| Four Honig Songs | |
| for soprano and piano (texts by Edwin Honig). Commissioned by Susan Narucki. | |
| Chin Music | |
| for viola and piano. Commissioned by Bernard and Naomi Zaslav. |
| Neon | |
| for orchestra. Commissioned by Stanford University. |
| Fast Gar Nichts... | |
| for string trio. |
| Chimera | |
| for nine players. Commissioned by Alea III. |
| String Quartet No. 2 | |
| Composed under a grant from the National Endowment for the Arts. |
| Sospeso | |
| for string orchestra. Commissioned by the Stanford Chamber Orchestra. |
| Evanescent Heterophony | |
| for cello and piano. Commissioned by Beth Pearson. |
| Deja Vu | |
| for flute, clarinet, violin, cello, and piano. Composed for Griffin Music Ensemble. |
| Along the Way | |
| for ten players. |
| Hang Time | |
| for clarinet, violin, and piano. Commissioned by Beth Wiemann. |
| Concertino | |
| for Chamber Orchestra. |
| Tonarten | |
| for solo piano. Composed for Christopher Kies. |
| String Quartet No.1 | |
| Composed for the Lydian String Quartet. |
| Trio | |
| for clarinet/bass clarinet, cello and piano. |