Other Publications
Anna Maria Busse Berger
Books
Mensuration and Proportion Signs: Origins and Evolution (Oxford: Clarendon Press, 1993).
Medieval Music and the Art of Memory (Berkeley: The University of California Press, 2005)
with Reinhard Strohm, Musical Writings in the Middle Ages, Cambridge Readings in Music, in preparation for
Cambridge University Press.
Articles
"Composition and Work Status in Trecento Music," Festschrift for Reinhard Strohm, ed. Berta Joncus and Melania, Bowdell and Brewer, 2007.
"Die isorhythmische Motette und die Gedächtniskunst," Kongressbericht Weimar 2004, Musik und kulturelle Identität,
XIII. Internationaler Kongress der Gesellschaft für Musikforschung, forthcoming with (Kassel: Bärenreiter, 2005).
Review-essay of Jürg Stenzl, ed., Perotinus Magnus, Musik-Konzepte, 107 (Munich: Edition Text + Kritik, 2000), in
Plainsong and Medieval Music, 11 (2002), 44-54.
"L'invention du temps mesuré au XIIIe siècle," in Les Ecritures du temps, ed. Peter Szendy, Centre Georges Pompidou,
IRCAM (Paris: l'Harmattan, 2001), pp. 21-56.
"Friedrich Ludwig, Jacques Handschin and the Agenda of Medieval Musicology" forthcoming in Perspektiven auf die Musik vor 1600: Beiträge vom
Symposium Neustift,/Novacella, 1998, ed. Annegrit Laubenthal (Hildesheim: Olms, 2005).
"The Evolution of Rhythmic Notation," Thomas Christensen, ed., History of Theory (Cambridge: Cambridge University Press, 2002), pp. 628-56.
"Arithmetic and Mensuration and Proportion Signs," forthcoming in Progetto Notazione, Studi e Testi, Scuola di Paleografia
a Filologia Musicale, Cremona, 2000.
"Gedächtniskunst und frühe Mehrstimmigkeit: Mündlichkeit in der Überlieferung des Notre Dame Repertoires," in Hermann Danuser
and Tobias Plebuch, eds., Musik als Text, vol. 2, (Kassel: Bärenreiter, 1999), pp. 241-46.
"Die Rolle der Mündlichkeit in der Komposition der 'Notre Dame-Polyphonie,'" Das Mittelalter, 3 (1998), 127-43.
"Notation mensuraliste et autres systèmes de mesure au XIVè siècle," Médiévales, 32 (1997), 31-46.
"Cut Signs in Fifteenth-Century Musical Practice," in Music in Renaissance Cities and Courts. Studies in Honor of Lewis Lockwood,
ed. Jessie Ann Owens and Anthony M. Cummings (Michigan: Harmonie Park Press, 1997), pp. 101-12..
"Mnemotechnics and Notre Dame Polyphony," Journal of Musicology, 14 (1996), 263-98.
"Musical Proportions and Arithmetic in the Late Middle Ages and Renaissance," Musica Disciplina, 44 (1990), 89-118.
"The Myth of diminutio per tertiam partem," Journal of Musicology, 8 (1990), 398-426.
"The Origin and Early History of Proportion Signs," Journal of the American Musicological Society, 41 (1988), 403-33.
"The Relationship of Perfect and Imperfect Time in Italian Theory of the Renaissance," Early Music History, 5 (1985), 1-28.